Tag Archives: golden notebook

Reading a Golden Notebook (TSS)

Inspired by Bob Stein’s email about the ‘integrated reading experiment‘ with The Golden Notebook by Doris Lessing, I picked it up way back in early December 2008. Thanks to a lot of other things happening in my life, I have been getting very little time to read compared to what generally satisfies me. Ergo, I am yet to read the last chapter titled ‘The Golden Notebook’. However, this book is so rich with ideas that one may not need to finish to share one’s experience.

It is my personal opinion that though a little background on a work of literature helps our understanding of the intricacies of the work, it is generally advisable to read a book devoid of any preconceived or rather pre-propounded theories about the same. Anyone reading Lessing in our time will be struck by atleast two facts – that she won the Noble Prize for Literature in 2007 and that she is considered to be one of the leading ‘feminist’ authors of the 20th century. Neither of these are relevant to one’s being able to understand or appreciate her work.

The conciousness that Lessing is a ‘feminist’ author was something I made myself dispel within 20 pages of my reading. I realized that this fact was clouding my perception of every sentence I read. I feel, standing at the epilogue of this monumental work of literature, that Lessing has much more to convey than mere sexist themes. This is not to be misunderstood as an aversion of feminine rights in any way. Only that, I feel it is unjust to sweep away other powerful themes of such an epic merely because the feminist ones shock the male dominated society the most. Should shock and awe be a value to judge literature by?

Having said that, let me acknowledge Lessing’s masterful command over the female psyche. Probably, it is the dearth of such powerful and shameless expression by women that makes Golden Notebook relevant even after decades of its first publication. I consider Colin Wilson’s Outsider to be one of the most important books I have ever read and I remember him having observed that female ‘outsider’ artists were hard to come by. Lessing is definitely one of them.

One of the most interesting theme of this novel is the promise and disappointment of the communist revolution. She captures in all its essence, the temptation of communism to the generation of the 50s -70s, in various parts of the world. More than the feminist overtones, being able to capture with perfection the political debacle of communism and its effect on the intellectual youth of that era is the most important achievement of Lessing. Communism holds no temptation to my generation and therefore, to be able to understand its appeal in the past is a tricky task. I believe, Lessing provides an able road-map to all those who would care to.

It is too easy to pretend that communism is an evil; though it is actually insane if we do. Across borders, throughout the wide world, more than a 2/3rd majority of the intellectuals were attracted by it in the last century. Most of them today are professors in various universities teaching either the history of communism or the economics of capitalism. For anyone interested in an understanding of the 21st century world, this political history is the single most important theme to understand. For that alone, The Golden Notebook deserves a very serious read.

The feminist aspect of the book deserves to be read with passion and a will to understand, at least from the male perspective. And that is what I have attempted to do. To be able to read a matter of factly stream of conciousness passage about the various kinds of female orgasm is an education in itself. Not biological, but psychological, and more importantly social. However, I shall hold my guns for now and return to this theme in detail once I have finished the last chapter of the book.

To conclude, a warning. This is a long book and becomes long specially when the diary entries record the dry facts. There are pangs of ‘Let’s Chuck it’. If you survive them, this is a book worth all the time.

Posted as a part of the Sunday Salon

Integrating Literature and the New Media

An innovative experiment in literature via integrated media

An innovative experiment in literature via integrated media

I received a mail today from Bob Stein regarding this really innovative and interesting project of networked reading and discussion of great literature being organised by if:Book London and supported by the Arts Council, UK. They have started off with The Golden Notebook by Dorris Lessing I found it interesting and am on my way to buy my copy. It only helps that I have not read anything by Lessing before and this gives a good reason to catch up. I am copying the email here which describes the project. I guess integrated media is the only way to promote literature, alternates won’t work. And that’s why, I seem to love this idea. Hope I have not said too much too soon. Check out The Golden Notebook to experience it yourself.

THE EMAIL:

Dear Book Crazy,

On November 10th, The Institute for the Future of the Book kicks off an experiment in close reading. Seven women will read Doris Lessing’s The Golden Notebook and carry on a conversation in the margins. (We quite liked your last post on blogging and people who believe the Kindle means the death of the printed page; we thought you might be interested in a project like this one.) The idea for the project arose out of my experience re-reading the novel in the summer of 2007 just before Lessing won the Nobel Prize for literature. The Golden Notebook was one of the two or three most influential books of my youth and I decided I wanted to “try it on” again after so many years. It turned out to be one of the most interesting reading experiences of my life. With an interval of thirty-seven years the lens of perception was so different; things that stood out the first-time around were now of lesser importance, and entire themes I missed the first time came front and center. When I told my younger colleagues what I was reading, I was surprised that not one of them had read it, not even the ones with degrees in English literature. It occurred to me that it would be very interesting to eavesdrop on a conversation between two readers, one under thirty, one over fifty or sixty, in which they react to the book and to each other’s reactions. And then of course I realized that we now actually have the technology to do just that. Thanks to the efforts of Chris Meade, my colleague and director of if:book London, the Arts Council England enthusiastically and generously agreed to fund the project. Chris was also the link to Doris Lessing who through her publisher HarperCollins signed on with the rights to putting the entire text of the novel online.

Fundamentally this is an experiment in how the web might be used as a space for collaborative close-reading. We don’t yet understand how to model a complex conversation in the web’s two-dimensional environment and we’re hoping this experiment will help us learn what’s necessary to make this sort of collaboration work as well as possible. In addition to making comments in the margin, we expect that the readers will also record their reactions to the process in a group blog. In the public forum, everyone who is reading along and following the conversation can post their comments on the book and the process itself.

I’m writing you now with the hope that you will help spread the word to everyone who might be interested in following along and participating in the forum discussions.

Thank you

Bob Stein

p.s. One last note. This is not essentially an experiment in online reading itself. Although the online version of the text is quite readable, for now, we believe books made of paper still have a substantial advantage over the screen for sustained reading of a linear narrative. So you may also want to suggest to your readers that they order copies of the book now. Whichever edition of the book someone reads (US, UK or online), there is a navigation bar at the top of the online page will help locate them within the conversation.